In Defense of Orgo Night #9
On
Thursday, December 15, 2016, at midnight, the Columbia University Marching Band
(“the cleverest Band in the world™”) performed a show of music and satirical
comedy in sub-freezing temperatures on the steps outside Butler Library on the
Columbia campus because Vice-Provost and recently hired Head Librarian Ann D.
Thornton, with the support of President Lee Bollinger and Columbia College Dean
James Valentini, banned the Band from performing the show in its traditional
location inside the library. Ms.
Thornton stated that the reason for the sudden change in tradition was a desire
to maintain quiet study space inside the library, and President Bollinger
publicly maintained that it was based on “complaints” from students about the
Orgo Night show. University officials
claimed that the ban was not related to the content of the shows and that they
were not trying to censor the Band’s speech.
This series of essays, drafted by concerned alumni, addresses the
university’s claimed reasoning for its decision, the process by which it was
implemented, and the reasons why the decision should be reconsidered.
Links to earlier
essays are found along the right margin of the blog. à
H
Why the Band matters to
Columbia, why Orgo Night matters to the Band, and why preserving Orgo Night
should matter to Columbia
In the
classic movie, Animal House, Dean
Vernon Wormer, head of Faber College (motto: “knowledge is good”), has a
conversation with the mayor of the fictional town in which the college
resides. The mayor tells Dean Wormer
that he needs to “do something about that zoo fraternity of yours,” referring
to Delta Tau Chi, which notoriously caused good-natured mahem. Dean Wormer convenes a hastily arranged
disciplinary hearing in order to expel the undesireable students and to revoke
their frat charter. At least Delta House
got a public hearing, even if the deck was stacked against them.
At some point in the fall of 2016, Columbia
President Lee Bollinger and Dean James Valentini had a conversation about Orgo
Night. Others might have been involved,
but clearly Prezbo and Deantini (as they like to be affectionately known around
campus) had to be the decisionmakers. On
the table for discussion was whether to “do something about Orgo Night.” In this case, the “zoo fraternity” was the
Columbia University Marching Band (CUMB) and, for reasons known only to the
closed circle of administrators involved, December of 2016 was the moment when
“something” needed to be done to quash the Band’s long-running Orgo Night show
in Butler Library.
Previous essays have documented
that the reasons
publicly stated for this decision were either false or grossly overstated and that easy and
obvious alternatives that would have entirely solved the alleged problems were
ignored. We have also
documented the complete lack of
notice and process surrounding the decision, as if Vallentini and
Bollinger wanted very much to act swiftly and without any opportunity for
consideration or discussion among the student body or interested alumni. And we have documented that the obvious
implication of these actions is that Bollinger and Valentini were really
trying to muzzle the Band and suppress the content of the
Orgo Night show.
But why did they feel this
way? Why didn’t the tradition and
history of the Band have more value to them?
Why were the other considerations (whatever they really were) so much
more important than the value
of the Orgo Night show? Until Bollinger
and Valentini agree to discuss the issue publicly, we may never really know,
but it is certain that the Band is important to Columbia, and Orgo Night is
important to the Band, to a great many current students, and to an even larger
segment of alumni. And therefore, Orgo
Night should be important to Columbia.
The Marching Band’s Unique Columbia Identity
Of all the many and varied student
organizations on campus, the Marching Band is certainly one of the most
visible—and colorful. It entertains fans
at football games, both at home and on the roard. At Baker Field, the Band performs before
games in the picnic area as well as on the field in pre-game and halftime
shows. The Band plays at all men’s and
women’s home basketball games and on certain occasions makes an appearance for
home contests in other sports. More
often than not, the Band section is leading the cheers and certainly the Band
secton is always the most enthusiastic segment of the crowd at any Columbia
sporting event. The Band also makes
appearances at reunions, alumni weekend/Dean’s Day, Homecoming festivities,
orientation, April Fool’s Day, Tax Day, and many other events – at the
administration’s sepcific invitation or otherwise. The Band is a rallying point for student and
alumni morale even when the major sports teams struggle to win games, as they
have sometimes done on an epic level.
The Marching Band is usually at the center of any event where “school
spirit” is being generated.
One of the
Band’s primary responsibilities is to entertain the football crowds with pregame
and halftime shows. Those shows have
evolved over the years, but the one constant since around the time the Ivy
League was formally established in the 1950s is that they have been satirical
in nature, spoofing events or policies on campus or current events from the
nation or around the world. In
approximately 1963, the CUMB first employed the “scramble band” approach on the
field, partly in a mocking parody of the Harvard Marching Band, which at the
time would run rather than march from formation to formation. The CUMB pioneered the total abandonment of
marching (and in some cases even formations) in favor of madcap running around
and quasi-random, strikingly modernist arrangements of personnnel on the field,
as in the famed “amorphous blob.” The
practice was so popular that the Band kept doing it, and around the same time
adopted the catch phrase, “the cleverest band in the world™.”
While scrambling around the
football field between songs, members of the Band in the 60s would sometimes
shout “Schmok! Schmok!” In tribute to comedian Steve Allen. In writing its halftime show scripts, the
Band, in the spirit of the best comedians everywhere, has often tackled controversial
issues through satire. As the football
team became ever more ragged over the years, the Band’s shambling on-field
presentations grew to be firmly associated in the public mind with the
university and seen as a devastatingly apropos symbol of the state of its most
prominent athletic program. The Band
always acquitted itself well vis-à-vis other schools’ bands, even when the team
on the field did not.
Over the
years, the Band’s achievements, and sometimes notoriety, got it attention in
circles extending well beyond the confines of Morningside Heights. The CUMB has received positive notices and has
been featured in each of the three major New York dailies plus Newsday, The Wall Street Journal, the Washington
Post, the Los Angeles Times, the Seattle Times, the Atlanta Journal-Constitution, and the Dallas Morning News, as well as
Newsweek, Sports Illustrated, the
Chronicle of Higher Education, the
Associated Press, and United Press International. The Band has made appearances on the Tonight
Show Starring Johnny Carson, the Late Show with David Letterman, the Howard
Stern Show, MTV’s Total Request Live, and the Good Morning show from Tokyo and
has had cameos in the movies Turk 182!
and Game Day. These citations and appearances helped to
burnish the university’s brand and reputation as a crucible of creativity and
cutting-edge humor. Truly, the Band
embodies the spirit of Columbia.
Columbia itself celebrated the Marching Band and its rich
history in Columbia magazine,
including the cartoon below depicting the band marching into Butler Library for
an Orgo Night performance.
The
Band is one of Columbia’s jewels, and as an entirely student-run organization
it represents an “organic” source of amusement and enthusiam on a campus
notorioiusly lacking in school spirit.
Orgo Night, its tradition, and its meaning to the Band
Orgo Night,
began sometime around the middle of the 1970s; certainly, a December 1975 photo
from the New York Times attests to
its existence then. The appearance by
the Band inside the college reading room in Buter Library on the eve of the
Organic Chemistry exam is a break – at midnight – from the grind of studying
for finals, not just for organic chemistry students but for the entire
assembled student population. The Band’s
show is advertised heavily around campus and is well known to all
students. Anyone not wishing to have
their studies interrupted can easily choose a different library venue on that
one night and thereby avoid the show.
But for the hundreds of students who look forward to the Orgo Night
show, it is a celebration of absurdity and humor in the midst of an otherwise
serious night of adademic intensity.
The Orgo
Night show includes both music and satire as the Band takes comic shots at everything
from the quality of cafeteria food to the university’s stance on carbon
diverstiture. The Band pokes fun at
other Ivy schools, other student groups, and political leaders. The jokes are often raunchy, but always
intellilgent. The Band always finishes
the show by making fun of itself, with the sign-off tag-line, “remember, if
you’re not part of the solution, you’re part of the Band!” The Band then travels (this band seldom
actually marches) around the campus, serenading the residence halls with
renditions of “Roar, Lion, Roar!” “Who Owns New York” and other Columbia
standards.
As detailed
in an earlier essay, Orgo Night has been recognized in almost every national
compilation of quirky
college traditions as one of the defining events at Columbia, one of the
most unique college traditions anywhere, and something that sets Columbia apart
from all other schools.
For the Band
members, the Orgo Night show is an opportunity to demonstrate how clever the
Band can be, a chance to vent some steam at university administration, a time
to connect with and share frustrations with fellow students, and a chance to
show off to their peers how much fun it is to be part of the Band. For one current member of the Columbia Alumni
Association Board of Directors, Orgo Night was such a memorable part of the
Columbia experience that he named his restaruant in Singapore “Orgo.”
Why Columbia should value Orgo Night
And so, Columbia has a unique
Marching Band, with its own traditions and idiosycracies, that has become part
of the identity of the school. And the
Marching Band initiates every semester a unique event, attended by hundreds of
students, that is one of very few campus traditions and something that helps
frazzled students have a little fun and blow off some steam just before the
grind of finals week. It is such a
wonderful part of the Columbia experience that as part of the university’s
celebration of its 250th anniversary, the university administration
posted on its official “C250” web site this memory from a young alumnus: “One of my most memorable experiences at Columbia was Orgo
Night in the undergraduate reading room in Butler Library. I attended Orgo
Night in all eight semesters I was at Columbia. Each was an experience of its
own. The most memorable would have to be
in the year 2000, at the end of my second semester of freshman year. The crowds
started piling into the reading room very early in the evening and, by the time
midnight rolled around, there were hundreds of students clogging the entrances
and pushing their way into the main room. . . . [T]he show of school spirit was
unmatched in the years following at all other Orgo Nights I attended. . . .
Cheers to Columbia and its passionate students who continue to fight for our
school's age-old traditions.” http://c250.columbia.edu/c250_perspectives/write_history/1062.html
Columbia,
which is generally lacking in events that leave alunni with warm memories of
their college days, should welcome and embrace something like Orgo Night. The students who participate (the Band) and
the students who attend are all likely to be connected alumni (and those who
donate their time and money to their alma mater). To the extent that there are some students
who have objected to the content of the Orgo Night show, President Bollinger
and Dean Valentini have to ask themselves: are those complaining students the
ones who are going to be future Alumni Association Board members?
And, yes, the location of the Orgo
Night show matters. Make no mistake that
when Bollinger and Valentini decided to “do something about Orgo Night,” the
intention was to kill it, not merely relocate it to a more appropriate
venue. Expelling the Band from Butler
Library was in no uncertain terms a decree that Orgo Night is finished as a
tradition at Columbia.
The Band held the show outside the
library (in freezing cold) as a protest, and sure enough just about every
student that was studying in the college reading room (Butler 209) took a study
break and came outside to watch the show.
(The photo shows a near-empty
Butler 209 at 11:59 p.m. on the night of the December show.) The act of “taking over” the reading room and
performing the show in the study space during finals week is quintessentially
part of the Orgo Night event. Sure, the same
show could happen anywhere on campus, at any time of the evening, but the
Tradition that is so uniquely Columbia is not that the Marching Band has a
performance, but that the performance is in
the library. When university
administrators broke the news to Band leaders a few days before the scheduled
show in December, the announcement was not that the performance was being
moved, it was that the performance was being canceled. The idea of sending the Band off to some
other venue was an afterthought once there was protest, and even that was not
well thought out, since the cost and inconvenience involved in opening up the
auditorium in the student center for the show was disproportionate to the small
inconvenience the show posed to the hypothetical students who allegedly
objected to having their quiet study interrupted.
So, why did
President Bollinger and Dean Valentini feel that they needed to treat the Band
like Delta House and “do something about” Orgo Night? There is only one possible answer to that
question. The Dean and the President
wanted to avoid controversy. They wanted
to avoid future complaints from students who might be offended by some joke put
forward on Orgo Night, or by some off-color inuendo included in one of the Orgo
Night publicity posters. They decided,
based on factors known only to them, that killing Orgo Night was a better
option than dealing with it.
But the Band
didn’t put fizzies in the swimming pool during the big swim meet, or cause the
toilets to explode. The Band did not
leave a dead horse in the Dean’s office.
The Band, in continuation of a long tradition, held its Orgo Night show
outside the library, the content of which was nothing more raw than what any
student can see any weekend night at Stand Up New York down Broadway. Feel free to read it for
yourself and judge. But, for
some reason, this university administration decided that that fraternity known
as the CUMB had to be put in its place.
The
university adminsitration should value the Band more. They should value Orgo Night more. There is still time to rectify the situation
by reinstating the Band’s permission to stage the May 2017 Orgo Night show in
Butler Library, where it belongs.
President Bollinger and Dean Valentini should act to restore and
maintain the colorful and memorable tradition that is Orgo Night.
-
Hamiltonius
- H
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